Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni is the author of Terracene: A Crude Aesthetics (Duke, 2023), which considers the emergence of the Anthropocene as a new geological era in relation to the concurrent declaration of the War on Terror in the early 2000s. Playing on the words “terror” and “terra,” Mameni proposes the term “Terracene” in order to think of the planetary in conjunction with ongoing militarization of transnational regions under terror. The book engages contemporary art and aesthetic productions, paying particular attention to artists navigating the geopolitics of petrocultures and climate change.
Mameni holds a BA in visual arts from Emily Carr University of Art and Design in Vancouver; an MA from the University of British Columbia; and a PhD in art history from UC San Diego. Mameni has published articles in Qui Parle, Catalyst, Signs, Women & Performance, Al-Raida Journal, Fuse Magazine, Fillip Review and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was previously an education coordinator at the Vancouver Art Gallery; Mameni also curated “Snail Fever,” at the Third Line Gallery in Dubai. The exhibit explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.
